Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Monday, May 9, 2016

Portfolio Building: Brittany Interviews


My first new interview for Brittany Interviews: Andres Chirino on Video Games

I'm very excited to share a project I've been working on since January: Brittany Interviews. It's a blog dedicated to sharing interviews I've conducted in the past as well as ones I'm hoping to have in the future. 

I just published my first new interview in which I discuss video games with Andres Chirino. A video game novice myself, I learned about Andy's favorite games he grew up with, what he's playing currently, and what he's excited about. We took a lot of time to interview, transcribe, edit, and prepare this post so I hope you can follow along and tell me what you think.

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Wednesday, December 12, 2012

Interview: Reuben Barnes-Levering of Famous Four Colors

Reuben Barnes-Levering, screen printing king and cake pop distributor 

It was a mid-September weekend. Like many weekends to come, I dragged a couple of friends across the Bay Bridge to explore Urban Air Market, an indie craft fair in San Francisco's Hayes Valley. Being the multitasking blogging machine that I am, I had an ulterior motive to snap a few photos along the way, resulting in Exhibit AExhibit B, and Exhibit C. As my friends scoured through the offline Etsy and I did my rounds scouring the crowd scouring Etsy, I passed by a booth that caught my fancy. Reuben of Famous Four Colors was giving out free cake pops.

Being a seasoned follower of food blogs as well as an occasional Starbucks patron and display case detective, I knew these things were popular and at least worth a try. I asked Reuben what I had to do to get a dessert chunk in my possession and to my delight, I just had to fill out a short survey. Let me assure you: this was not one of those "WIN A FREE iPHONE SURVEY NOW NOW NOW!!1!" nuisances you used to come across on pirated TV sites three years ago. No, this survey was actually short and kind of fun. (I have a slight penchant for filling out forms.) I filled it out, got not one but two cake pops (I should be in business, just sayin'), and touched one of the softest tees I've ever encountered. 

This last part was unexpected. After gingerly devouring the stick treats, I realized that there was a booth attached to this cake pop distribution center and it went by the name of Famous Four ColorsReuben Barnes-Levering started this downtown Oakland-based organic clothing company as well as its custom screen printing brother brand, Umbrella Shirts. After being rather impressed by the clever designs on the angel-soft tees and the fact that they hailed from Oakland on Webster just off Broadway, I knew there was more to explore. Reuben gave me the opportunity to thoroughly pick his brain and tour their headquarters. Without further delay, here's how the screen printing king does it one shirt at a time.

Brittany: Like many entrepreneurs, you discovered your passion for designing t-shirts in high school and eventually bought your own screen printing press. Can you describe how you transitioned from working in your father’s garage to starting your own label, Famous Four Colors?

Reuben: One track mind! Seriously. Just kept my head down and kept working on the same project… of course, making adjustments over the years to the game plan. But what I have now is essentially what I was working for when I first started.

Brittany: Have you always been interested in pursuing a creative field or being an entrepreneur?

Reuben: Yes. I originally wanted to go to school for graphic design but could not get in a program for that. I really never saw myself working for anyone else long-term, not to say it's not an option, but I just never pictured it.

Brittany: What are some of the adjustments you made over the years that have culminated in what Famous Four Colors is today?

Reuben: I think that most of the adjustments are internal. I think that when you get older, more knowledgeable, more experienced, more healthy (less drunk!), you begin to shift your perspective of how to achieve what you want to achieve and also what your vision is. For example, if I were to start a restaurant today I would not be starting at the same place I started my screen printing company, which was a little hole in the wall one-man operation, ducking and dodging regulators, hiring friends under-the-table part-time and partying constantly!

Brittany: So, basically your company evolved with you.

Reuben: Is evolving.

Brittany: What are some ways it's still growing?

Reuben: Well, I think my ultimate goal is to have a cultural impact. To me, Famous Four Colors is a reflection of the diverse new landscape of America: culturally diverse, socially and environmentally conscious, and hyper-connected globally. So, if you think about it in the terms of a personal evolution, that's an interesting step that we must take. Many people think that they want cultural success and the trappings that come with it, but they don't critically analyze their life to see if they are open to that level of demand and critique from the outside world! So, just like E-40 says, gotta stay Humble & Hungry.


When I visited Famous Four Colors, I asked Reuben how exactly the screen printing  process works. He said it's made up of a few components, such as these plastic tubes...


Which look like this when opened up...


Some of these buckets of paint...


A few of theses...


And finally a giant octopus of a machine with many arms for the many layers of color used in a given design.


After a couple of hours, you end up with some pretty rad pieces like this shirt and that shirt.


Boxes and boxes of custom designs, created under the Umbrella Shirts branch, are found throughout their work space.

Brittany: What does a culturally successful Famous Four Colors look like?

Reuben: You've got all the hard questions, huh! That one is difficult and probably revealing! What does my vision of our company's success look like? I would love an outpost in France.

Brittany: Why France?

Reuben: Because I came back from there this summer and Paris blew my mind. To me it's like a huge San Francisco. Artisan, they really take living well seriously. Great bread, cheese, wine… But seriously, I would love to be a part of an organization that is in conversation with popular culture (meaning that we are noticeable enough to be referenced), but that retains its original message and backbone. Since we are a clothing company, I think there is a certain level of sales you must achieve. But it's also just about listening to the outside world, and what people are truly talking about and what they truly want. As a producer of goods, it is very easy to get caught up in our own messages (marketing, product, sales, whatever...).

Brittany: How would you go about retaining Famous Four Color's backbone?

Reuben: I think that a culturally successful Famous Four Colors is a company that constantly reflects the true current of popular culture through our unique lens. Our backbone is retained through living our values and holding each other accountable to them.

Brittany: What sets Famous Four Colors apart from countless other clothing lines? Is it the aesthetic, company ideals, community involvement…?

Reuben: Doper clothing.

Brittany: A given.

Reuben: Indeed. You know, Brittany, I've been in the world of art and design for long enough that I am aware that talent is everywhere. Many people have ideals. Community is built in many ways, and most often not by people with money or companies but by the humblest members. So, in that way I think what makes a company stands apart is really just their unique combination of all of those and more: How we interact with each other. How we interact with our customers. How we design. Fabrics we choose. Our location, our vibe, our website, our value system. And that's what I truly love about business. It's not about making money, but it's like cooking the most complex dessert ever, that takes 10 years to bake! You have to get each ingredient just right. And when you got it… boom! So, we're not quite there yet, but I believe we are close. You'll know when we are!


Pieces from a previous art show held in their gallery space are lined up along a wall.


I found this guy watching the action from afar. Please note his fur cape, full-length plaid piece, and industrial hoop earrings. Can you say "style icon"?!

Brittany: How will I know?

Reuben: Well, I guess there won't be a literal boom, but figuratively!

Brittany: Bat signal?

Reuben: Oh my god, I want an Umbrella bat signal so bad. I actually made an Umbrella Batman shirt. We used to sell it as a part of our old line. That's what it had… the SF skyline and then the Umbrella Bat Signal shining above it. I think I have a few extra somewhere if you drop by our shop!

Brittany: I'm sure someone in Oakland knows how to make an umbrella bat signal. A rogue artist, perhaps. Speaking of artists… you’ve collaborated with many different artists in a range of disciplines, including a New York tattoo artist, Oakland-based rap duo The Coup, and Oakland graffiti artist Vogue. How do you go about picking who to work with?

Reuben: We run the artists that we choose through an assessment. How well they align with our values, our history, our future, and our audience. I am really looking forward to a scarf and blouse we have dropping next week from Joshua Mays, an artist who recently relocated from the East Coast to Oakland.

Brittany: How would you describe his artistic style?

Reuben: Futuristic neo-soul-scapes.

Brittany: And that translates into clothing how?

Reuben: You'll see next Friday!

Brittany: Where do you find inspiration for your own designs?

Reuben: At my best, through the cultural reflection lens that I was talking to you about. At my worst, by staring at a blank computer screen… ugh.

Brittany: If you had any materials and tools at your disposal, what would your ideal article of clothing look like?

Reuben: Materials and tools… gosh, things are so scientific these days! I think just an amazingly soft cotton-hemp blend and vibrant screen prints are all I need.

In case you forget where you are...

Brittany: Fair enough. How has working in Oakland, and in the city’s downtown in particular, allowed Famous Four Colors to prosper?

Reuben: Tough question. I think the City is vibrant and blossoming, but so are so many other urban centers. By the City I meant Oakland… my bad… The Town. It's not where you're at, but where you're at… nah'mean? I love Oakland. Wouldn't trade it, I'll tell you that much.

Brittany: What can we expect to see from Famous Four Colors in the future?

Reuben: Ah! The Future! Let's see… boom! Smoke & Mirrors! Lights, Cameras & Web Apps! A super solid team of people contributing creatively to society's myriad literal and figurative cloth.

Learn more about how their shirts are made:



Keep up with Famous Four Colors:
Website | Facebook | Twitter 

Follow Work It, Berk:



Monday, November 19, 2012

Interview: Jerry Lin-Hsien Kung, Glass Artist & Fabricator

Jerry Lin-Hsien Kung, Oakland-based glass artist & fabricator

I'd like to introduce you to another talented Oakland local, Jerry Lin-Hsien Kung. Not only a very skilled glass artist and fabricator, Jerry is also quite a talker. As he said himself, if given the opportunity he will gladly chew your ear off discussing anything from the "systematic death of craft" to the weirdness of the internet. I was fortunate enough to lend him my ear when we met up at Subrosa Coffee on 40th in Oakland a couple weeks ago. In this interview, you'll learn more about the man who "blows bubbles" for a living and why he has continued to pursue what most people stop doing when they're five.

Brittany: Can you tell us a bit about yourself?

Jerry: Hmm. I'm 37, a Leo... I studied at Rhode Island School of Design where I graduated with a degree in glass sculpture. Before that I studied at Hampshire College for Latin American Literature and Animal Behavior pertaining to the relationship between wolves and sheep dogs. I graduated from art school in ’99. I was born in Taipei, Taiwan. I’ve been making glass for all years after school. I received an associate’s certification in CAD design a few years ago. I took a bunch of night classes for that because I wanted to further explore industrial processes. This led me to moonlight as a draftsman in the prototype department of a machine shop.

Brittany: It seems like going from studying Latin American literature and animal behavior to studying glass sculpture is an unlikely transition. What sparked this switch?

Jerry: I was one of those kids who went straight into college. I fumbled into discovering what I do now. While taking time from Hampshire, I lived in Providence, RI. I took some classes in Ceramics and the instructor happened to be the department head. He invited me in. I saw glass and that was it.

Brittany: Have you always been interested in pursuing a creative field?

Jerry: I never had an inclination for one thing or the other till glass.

Brittany: How would you describe your artistic style?

Jerry: I'm inspired by the characteristics of materials and the personal process of discovering that nuance.

Brittany: Can you describe the process of creating a new piece?

Jerry: Glass blowing is based on motor skills as well a distinct understanding of heat. Heat, saturation, and equilibrium. These are all the metadata for glass making.

Brittany: Is there a lot of thought and brainstorming prior to making a piece or do you tend to wing it and see what develops?

Jerry: There is a language I draw from. It comes from a palette of familiar characteristics from making tens of thousands of bubbles. Having done this for 18 years, I see the minute and the creations I make, whether that be sculptural or design, departs from there. Think of it like building blocks or words or sentences. You learn to express using the knowledge that you gain through experience. The brainstorming is an internal conversation between what I see and what I've noticed in the material.

Brittany: When creating pieces with Alexander Abajian, fellow co-founder of FirePrint Studio, how are you able to communicate with each other, while maintaining your own internal dialogue?

Jerry: We've known each other for 14 years. We both went to the same school and started Fireprint Studio together. That company is now defunct though we still do collaborations. Our communication is based on our working history and the custom fabrication we did for different artists and architects alike. While figuring out how to make something, you expand your library of moves. We developed a lot of solutions for other people and ourselves. It simply becomes an act of material movement between two people guided by the same attention to process. We both have our own businesses now. He is more about art and I'm focusing on custom design fabrication.

A sampling of Jerry and Alexander Abajian’s contributions to “Creatures,” a joint exhibition held in August at Vessel Gallery in Oakland:







Brittany: As you’ve mentioned, in addition to being a glass artist you’re also a fabricator. Can you tell us more about this?

Jerry: After the recession hit, we split up the company. With the savings I took a long-needed time away from art-making. I spent two years traveling, reading, and being in nature. This was the thing that allowed me to move forward with this fabrication company. I see that there is something missing in America… industry. We hear it all the time. I felt really close to this topic because I have been coming up with solutions for a different people for so long. I solved the technical issues for the lighting in the de Young Museum's cafĂ© and made them. I realized that there was a need for a glass foundry as many people want to restore their production but there are fewer and fewer fabricators in this field. Most people want to keep an artist status. I'd rather redirect my fabrication history and academic history to form a better fabrication while using new technologies such as CAD. With that in mind, I wanted to offer limited-run production services, much like a machine shop or metal shop, as well as consultation. My teaching background makes it easy to explain things to clients. There is an inherent problem with glass and other crafts. That being how it’s perceived. If a sports star in the US is gifted, talented, or fast (sport dependent), they are rewarded handsomely. If a skilled craftsman makes something fast, then their product must be sold cheap. I'm trying to use my company to help people understand that speed and efficiency only comes through time and experience.

Brittany: You displayed a series of glass pieces at Vessel Gallery in Oakland in August. What did patrons expect to see at this exhibit?

Jerry: There are a few pieces remaining at the gallery. But the main installation is now down. They will experience the select work and I think they'll be taken back by the scale and fluidity and literally be sucked into forms.

Brittany: Are there any materials you’d like to work with that you haven’t already?

Jerry: Not right now. I'm a jack-of-all-trades of sorts: welding, designing machines, glass, drawing. I usually get pulled into a material if a project comes up, but for now staying the course of my business is keeping me plenty busy. (I would love to be CPR-certified!)

Brittany: How has living in Oakland influenced your work?

Jerry: Oakland is like the Wild West. There are so many things that are available to explore, resources to utilize, and different cultures from all around. I think the creatures installation had a lot to do with that. It was a large array of silvered forms that opened August 3rd on First Friday. It was seen by hundreds of people. They became the art installation while viewing it. I feel Oakland is like that. You never know what you're going to see next, but can rest assured in a few more minutes you'll see something equally or more over the top. The creatures have a way of doing that in its curves. It creates a fun house effect.

Brittany: What have you learned from being a working artist that you would never have anticipated as a student at RISD?

Jerry: Great question. Things take time. Lots of it. I think art school instills god complexes where you come out thinking you can do everything but then you start discovering the once indelible education is second to reality and making things happen on your own. Art school is not equal to business school. I hate the starving artist stereotype. It ends up fueling itself at times.

Brittany: You’ve held a few glass demonstrations, recently at Public Glass in San Francisco. Can you describe the experience of working in front of an audience?

Jerry: Glass blowing is like performance art. Its choreography is driven by both design and process. I like working in front of audiences. It really lets them feel the intensive conditions a glass studio is. It also lets people understand what goes into making things by hand. It opens up real conversations for people to explore the material.

Brittany: What can we expect to see from you in the future?

Jerry: There will be more creatures in the future as well as more design-based products. The creatures will eventually be more about feeding balls where they are all clustered into a sphere.

Learn more about Jerry in this profile of the artist:



Keep up with Jerry’s work:

The first photo was taken by myself at Subrosa Coffee in Oakland, while the remainder were used with Jerry's permission.

Tuesday, November 13, 2012

Interview: Polly Conway, Freelance Writer & Crafter

Polly Conway, the cheerful freelance writer and crafter herself

This interview series has given me the opportunity to meet a lot of talented people in the East Bay and Polly Conway is no exception to the rule. An Oakland local, Polly is known for her personable writing style and fearless approach to crafting. She writes for a variety of crafting publications and blogs, teaches several classes in Alameda, and is not afraid to dive into particularly intimidating projects.

I met up with her at her favorite fabric store, Stonemountain & Daughter on Shattuck in Berkeley, which can be easily missed if you're not on the lookout. It was apparent that she was in her element, surrounded by hundreds of vibrant patterns and interesting textures, which would provide any DIY queen with glee. Here's a peek into Polly's background and her crafting empire.

Brittany: Can you tell us a bit about yourself?

Polly: Sure! I'm a writer and artist living in North Oakland with my boyfriend and super-fluffy cat.

Brittany: Have you always been interested in writing and crafts?

Polly: Yes! I've been crafting since I was little, but really started to get back into it in the early 2000's. Like drawing, I think it's a thing that a lot of people stop doing once they become "grown-up," but once I started making things again, I couldn't stop. I've also always been a writer-type and a compulsive reader; I used to try to read books on my lap under the dinner table. I really thought I could get away with it.

Brittany: That's adorable! What were some of your favorite books growing up?

Polly: The Phantom Tollbooth, Harriet the Spy and its very weird sequel, The Long Secret. All Roald Dahl and Beverly Cleary. I'm also a huge re-reader, so every book I love, I read it again and again.

Polly grabs one of the many patterns that catches her eye at Stonemountain & Daughter

Brittany: How would you describe your writing style?

Polly: I think it's a lot like my natural speaking voice; excited, not too serious, with a little Valley girl thrown in. I'm not great at academic writing. Or maybe I would just be the most fun academic writer ever!

Brittany: You’ve written for quite a few impressive publications. Which were you most excited about?

Polly: Aww, thanks! I was most excited to start writing for ReadyMade, because I felt so connected to what they did and how it hugely affected the DIY boom. When their first issue came out, I remember just being blown away by all the projects (and I immediately made an ill-fitting, see-through pillowcase skirt). So it was a huge honor to be able to align myself with them!

Brittany: When you're writing for a craft publication, do you write reviews or do you actually work on a project and write about it?

Polly: Well, I'm about to start writing craft product reviews for a great site called Craft Test Dummies, which is exciting because I've haven't written that many reviews (but I certainly do have a lot of opinions!) I love to do projects, especially things that are new or scary to me, and then write about the results. It's kind of my mission to show people that "they can do it too!" because so many people are afraid of not being creative enough. I've learned through teaching workshops how excited people get when they discover that they are creative, and find themselves proud of something that they've made. It's awesome! I also really like writing about crafty things that other people are doing, because there's so much cool stuff out there. I like searching the deep dark corners of the internet for genius craft projects that might not get the attention they deserve, and then sharing them with my own audience.

Brittany: What are some of your most memorable crafting projects?

Polly: The first quilt I ever made was a good one. It was made up of nine huge squares! Nine! So many crafts are super-intimidating, and it felt great to know that I made a really cute quilt without having to cut up ten thousand tiny triangles and perfectly align them together. I'm a huge perfectionist, so I really have to squish down those instincts when I'm making stuff or I would never, ever complete a project. You have to accept imperfection and mistakes all the time. It's hard! Since then I've made a handful of full-size quilts and given them to people I love, but I never would have gotten there if I hadn't started with something easy. I'm also really proud of some random projects, like a teeny tiny felted apple, the afghan I made for my mom while watching a thousand episodes of Law & Order, or my Cal Worthington embroidery. It's the best feeling when you get an idea and are actually able to execute it.

Polly’s vintage Colorwheel Studs, on sale on Etsy

Polly’s Rainbow Redux Bracelet made with an antique brass chain and Red and White Yarn Knot Dangle Earrings made with vintage beads

Brittany: You sell your own line of accessories on Etsy. Who’s your ideal customer?

Polly: Teenagers love my stuff, which is great! But I make things that I would wear, and just cross my fingers that someone else will think they're fun as well. I think people who don't feel necessarily extremely fashionable or daring can wear or carry something of mine and have it stand out; just a splash of color or pattern here and there! You don't have to be Betsey Johnson. I'm all about a little bit of color. All right, a lot of color.

Brittany: Where do you find inspiration?

Polly: I watch a lot of classic movies and I think what I see there works its way into my head. Right now I'm really enjoying watching all the terrible beach party movies of the 60's I can get my hands on. They're awful, but the color palettes and fashions are amazing! I love the art of Mary Blair and the look of old Disneyland; I lost my mind at the Walt Disney Family Museum earlier this year getting to see all the design stuff there. I weirdly was inspired by nature a few weeks ago when I visited Lassen Volcanic Park; there are some geothermal springs and mudpots that were the most amazing colors, grays, blues, and neon yellow! I thought; "I have to make something with those colors!" So I get surprised sometimes. Oh, and Pinterest, of course. Sometimes I'm feeling blah, and forget what inspires me and I'll have to look at my Pinterest boards to get a little reminder. All that stuff up together in nice little boxes makes me realize that I do have an aesthetic. It's a nice resource!

Brittany: I do enjoy pinning myself, except I mostly pin recipes from food blogs that I would like to try someday. In addition to writing and your store, you also teach crafting workshops every month at Modern Mouse in Alameda. How did you get involved with this?

Polly: I started working at Modern Mouse last year, which coincided with the time that they wanted to start holding monthly workshops. I taught one and enjoyed it so much that they now let me teach 'em all! It's been a really great way for me to learn a little about a lot of different mediums, and getting to share my meager skills with people who may have never crafted before is so, so rewarding.

The Pollyannacowgirl booth at Portland's Crafty Wonderland

Brittany: How has living in Oakland influenced your work?

Polly: I feel really strongly about Oakland as a city that is always working to be better. There's nothing smug or self-satisfied about this town; everyone wants Oakland to succeed as a great place for all kinds of people to live and thrive. That feeling permeates everything I do here; since moving to Oakland five years ago I've become a total cheerleader for the city. I'm excited to be a part of Patchwork Indie Art and Craft Festival, which we wanted to bring to Oakland for the first time this winter because darn it, this city deserves its very own awesome, large-scale craft show. I feel like people are always trying to create positive change here. It doesn't always work, but it's good to be in an environment that's in motion, that's trying new things to see what happens.

Brittany: I have definitely encountered many Oakland locals who share the same enthusiasm. When you’re not working, how do you spend your time?

Polly: I'm always making something, whether it's to sell or just to keep my hands busy during TV time. I'm crazy about cross-stitch right now for a laid-back TV craft. I read a lot of non-fiction books these days. Right now, I'm reading The Psychopath Test by Jon Ronson, and I just read this other book about a dad who discovers his four-year-old daughter has paranoid schizophrenia. Intense! I love finding out about how the brain works and the weird things people do as a result. I'm also learning how to run, which is so out of my comfort zone I cannot even describe it. Right now I can run for three whole minutes! But it's exciting. I have a pretty quiet little life, but I like it that way. I also have a gossip blog addiction that I am trying to get control of.

Polly recently made a tutorial for DIY Iridescent Watercolor Paper Pretties on Limn & Lovely.
 
Brittany: Which are your favorite gossip blogs? I love Oh No They Didn't for celebrity "news."

Polly: Oh god, yes. My daily reads include Dlisted, Celebitchy, and Jezebel. I grew up reading my mom's People magazines, so it seems I cannot function without knowing intimate details of celebrity life.

Brittany: Who are your favorite celebrities at the moment? I used to follow Rihanna for a while and now I'm into Miley Cyrus. Her life seems so chill: all she does is go to Pilates, travel, and hang with her fiancé all day. I also follow Lindsay Lohan a lot because she's so entertaining.

Polly: Miley Cyrus seems surprisingly awesome! I love her new haircut. The Tom Cruise/Katie Holmes debacle was a real treat; another thing I love to read about is mind control and cults, so it's crazy to watch this one play out. Leann Rimes is a mess and I kind of feel bad even reading about her stuff, but there's always a twinge of guilt in celebrity gossip anyway. Oh, and the greatest train wreck of them all, Lindsey Lohan. Oh my.

Brittany: I definitely should feel more guilt than I do. (Oops.) What can we expect to see from you in the future?

Polly: I'm working on getting more of my stuff in local shops, so by the end of this year, you should be seeing lots of Pollyannacowgirl all over the Bay Area! I'm also going to be creating some DIY wedding projects for the prettiest wedding blog ever, Limn & Lovely, as well as getting to go to the Craft and Hobby Association trade show in January! I'll be doing all kinds of holiday craft shows in the Bay Area, so hopefully I'll be busy and happy!

Polly dressed in her full cowgirl get-up at the Bazaar Bizarre in 2010.

Keep up with Polly’s work:

The first two photos were taken by myself at Stonemountain & Daughter Fabrics in Berkeley, while the rest of the photos were used with Polly’s permission.

Tuesday, November 6, 2012

Interview: Sunhui Chang of FuseBOX

Chef Sunhui Chang, the founder of FuseBOX in West Oakland

I'd like to introduce you to Chef Sunhui Chang, the founder and brains behind FuseBOX. Located a little over a mile away from 19th St. BART in Oakland, near 24th and Adeline, you'll find Chef Chang's Korean restaurant. After passing through the gated entrance, you'll see a long table with two benches set up for shared al fresco dining, reminiscent of those in a grade school cafeteria, as well as a neat, modern interior for inside eating.

FuseBOX serves traditional Korean food, more conceptual dishes, and non-Korean food altogether. What every dish has in common, or at least the six that I tried, are great attention to flavor, texture, and detail. It's great if you're looking for a fun izakaya-style lunch during the week or Korean beignets with a cup of coffee on a Saturday morning. I had the absolute pleasure of not only trying Chef Chang's fantastic food, but also learning more about the man who, as his black tee aptly states on the back, "I Bleed Kimchi." 

Brittany: Can you tell us a bit about yourself?

Sunhui: I was born in Incheon, South Korea. I moved to Guam when I was seven. Then I moved to the Bay Area when I was 17. I went to Berkeley High, then Cal. I was always in the food industry. My mom opened her award-winning Korean restaurant when I was 13 and I worked in that kitchen till I moved out here. But my passion for food and cooking started before that. I grew up on PBS cooking shows, [like] Julia Childs and Great Chefs, Great Cities. I started watching those shows when I was 10 - 11 years old.

Brittany: What inspired you to start FuseBOX?

Sunhui: When I moved out of Berkeley and moved to Emeryville about seven years ago, I roamed around West Oakland and fell in love with the Wild Wild West nature of West Oakland. Then I moved to West Oakland four years ago and was offered a spot about two blocks away from the current FuseBOX location. That location didn't work out as the owner went bankrupt and the building went into foreclosure. But I was fortunate that the owner of the current FuseBOX space took interest in what I wanted to do. The industrial and Wild West atmosphere sparked a vision of a Korean soju bang, like the soju bangs that my dad and his friends and business colleagues would go to in South Korea. I wanted to do Korean food. I was a bit concerned as when I had my catering company, nobody wanted Korean cuisine. But with the new interest that was brewing about Korean cuisine, I felt this was the perfect time and the perfect place and I love Korean food.

In-House Tofu, deep-fried with tare no moto dashi

Buttered green beans


Banchan, featuring everything from kimchi vegetables to mushrooms and broccoli

Brittany: How did you come to the decision of serving Korean food in an izakaya format?

Sunhui: I always found the izakaya format to be fun for both diners and cooks. It gives diners playful decision-making and gives us cooks a creative platform. I also had a bunch of stuff that I love and wanted to cook that was non-Korean. It really gives a cook and a chef a lot of freedom.

Brittany: Can you describe the type of food a customer will encounter at FuseBOX?

Sunhui: That's a tough one. Korean of course, but mainly it’s food that I love to eat. Food that is playful.

Brittany: What would you recommend for a first-time customer?

Sunhui: Well, I would definitely suggest a bap set which offers our banchans. Our bacon mochi has been a hit. Our KFC is quite popular. Our house-made tofu with tare no moto dashi is one of my personal favorites. If you want to be just down and dirty, our sandwiches are perfect for lunch. And of course our skewers; you can get a veggie bap set and complement it with a bunch of skewers. Get the sandwich with a glass of Tang. For the last month, I’ve added a Korean beignet, which is like a donut mocha. I'm also proud of collaborating with my Pastry Chef Adam Strahle on the Tang Granita Creamsicle. Can you tell that I love Tang? https://lh5.googleusercontent.com/K9sT3GxnkK-8JpQShIeZvKUNzp450hrmqQFVHS_IS1omhPwuam-RSMfOj2EYKyMVBFmGYMUzfYUj3uB4r-4riP9q4k7xGi4VDv8ZRbO5BLF9tApj0Vw

Busan (Pork Belly) Torta with savory cabbage and pickled white zucchini


Grilled pork belly, which was served with rice (bap) and banchan

Brittany: Sounds like it! Can you describe the process of creating a new dish?

Sunhui: Inspiration hits you in so many different ways. Many times though, I always go back to my childhood. I enjoy doing that high-brow, low-brow thing, like with Tang or creating miso pickled cream cheese, taking the lowly cream cheese and turning it into something that is uniquely sophisticated. We serve it with our house salad.

Brittany: What ingredients do you get most excited about?

Sunhui: Good question. Ingredients that I feel are somewhat neglected such as "vegetable offal," parts of the vegetable that most people throw away. I love breaking down a vegetable to its different parts. For example, I have fallen in love with yau choy. Yau choy can be broken down to its leaves, its stems, its stalk, and its blossom, each with its own merits, its own flavor, its own texture, which means I can then use this one plant to give me several dishes. I'm an omnivore, but I love my vegetables.


Korean Beignets

Tang Granita Cremesicle, created by Chef Chang and Pastry Chef Adam Strahle

Brittany: What types of dishes would you like to make but haven’t already?

Sunhui: Well, I've left off the seafood items on my lunch menu, so that I could offer it for dinner. I'm excited to hear what people would think of the air-dried trout. It's placed in a salt brine, then dried out in the night air. But before I dry it, I sprinkle it with aonori and lace it with greens or kyen yip or shiso or basil. Also, a couple of tartars and when the weather starts getting cooler, the dakjjim.

Brittany: How has living in Oakland influenced your work?

Sunhui: I can honestly say that FuseBOX would not have been created if it wasn't for Oakland. FuseBOX would not have taken place anywhere else except Oakland and West Oakland at that.
The diversity set me free to explore cultures and flavors. I don't think I would have created some of my dishes if I lived elsewhere. I love Oakland and the people of Oakland. I also love all types of cuisine. That's one of the reasons why I love Oakland so much. It's that diversity thing. I feel every culture has something I love to eat.

Brittany: What can we expect to see from you in the future?

Sunhui: Beside more service hours from FuseBOX, such as dinner, I'm excited about opening for coffee and Korean beignets in the weekend mornings. As for my culinary future, I'm constantly playing around and evolving. I also love to collaborate. The cooks that I work with have a lot to do with what direction I might go. I love being inspired by others. My Pastry Chef Adam Strahle and I have been having great brainstorms. He's also a great young cook. He's not just limited to sweets. There's no precise direction that I can say that I'm following except that whatever I do will be with a great deal of passion. As for my professional career, I always want to cook, but I do have a dream of opening a small boutique hotel.

FuseBOX
2311A Magnolia St., Oakland, CA 94607
Open: Wednesday - Saturday 11:30 - 2:30, Sunday mornings
(check Facebook and Twitter for updates)

All of the photos were taken by myself, except the last photo which is used with the permission of Chef Chang.